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      <image:title>theatre - speaking of sneaking</image:title>
      <image:caption>Photo by Ivor Picou, CARIFESTA XIV, Trinidad &amp; Tobago, August 2019</image:caption>
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      <image:caption>Photo by Ivor Picou, CARIFESTA XIV, Trinidad &amp; Tobago, August 2019</image:caption>
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      <image:title>theatre - speaking of sneaking</image:title>
      <image:caption>Photo by Ivor Picou, CARIFESTA XIV, Trinidad &amp; Tobago, August 2019</image:caption>
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      <image:title>theatre - speaking of sneaking</image:title>
      <image:caption>Photo by Ivor Picou, CARIFESTA XIV, Trinidad &amp; Tobago, August 2019</image:caption>
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      <image:title>theatre - speaking of sneaking</image:title>
      <image:caption>Photo by Tsholo Khalema, The Theatre Centre, Toronto, May 2018</image:caption>
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      <image:title>theatre - speaking of sneaking</image:title>
      <image:caption>Photo by Tsholo Khalema, The Theatre Centre, Toronto, May 2018</image:caption>
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      <image:title>theatre - speaking of sneaking</image:title>
      <image:caption>Photo by Tsholo Khalema, The Theatre Centre, Toronto, May 2018</image:caption>
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      <image:title>theatre - speaking of sneaking</image:title>
      <image:caption>Photo by Courtnay McFarlane, BAND Gallery &amp; Cultural Centre, Tkaronto, June 2019</image:caption>
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      <image:title>theatre - speaking of sneaking - “speaking of sneaking complicates the traditional understanding of crookedness within the Jamaican archetypal ginnal. The play presents a case in defence of the ginnal. For a person like Ginnal — Black and queer — to survive in the white supremacist capitalist heteropatriachy constructed and sustained by the oppression of Black and queer people, sometimes it is necessary to be crooked and play the trickster to reach safety. speaking of sneaking is an original Anansi tale of why Jamaicans do not trust ginnals.”</image:title>
      <image:caption>— Dubbin Monodrama Anthology: Black Masculinities in African Diaspora Theatre</image:caption>
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